Music – pretty important for other media

Music in films, TV shows and games can be a pretty fucking huge deal, at worst it should be atmospheric background accompaniment and at best it should enhance the scene it’s being used in. I thought I’d write about a few of my favourite examples of the latter, I’ve tried to avoid spoilers as much as possible but given the fact some of these are linked to specific scenes it was pretty much unavoidable for some so fair warning and apologies. I’ve embedded Youtube videos for the tracks in question so you can just skip the text entirely if needed, I’m sure I’ll need to check in on this for broken links later on.

Promise – She-Ra: We’re leaning towards the second part of this song here, though the whole thing is pretty amazing. The part I’m referring to is used at 4 very significant points in the story and is representative of Adora and Catra’s relationship over the course of the series. The first is the point in season 1 where Catra turns away from Adora and chooses to stay with the Horde, the second is season 3 where Adora realises how toxic Catra has become, the third is the point in season 5 where Catra decides she wants to be different and kicks off her redemption arc and the fourth is in the final episode of the series at the culmination of Adora and Catra’s journey, these are all incredibly emotional moments that are enhanced by what is a very emotional piece of music.

Fireworks Festival – Weathering with You: Realistically there were a few options for this film but I went with this one due to the ethereal quality of this piece of music coupled with the scene it underpins. We’ve seen Hina up to now using her ability to stop the rain to help various people but this occurrence is slightly different though as it’s on a much larger scale as she does what she does on top of a skyscraper and she’s much more confident in herself at this point. You see the sunset punch through the clouds and and then see the city bathed in the light and then it cuts to a massive firework display over the city, it’s honestly one of the most visually stunning sequences I’ve ever seen. You also get the human element as Hina is happy to be helping people and feels like she’s found a purpose and this is when Hodaka starts to realise how much Hina means to him so it’s pretty emotional too and the music just really underpins that.

The Last Agni Kai – Avatar: This piece backs the final confrontation between a redeemed Zuko and a spiralling Azula and with this type of final battle you’d normally get quite a piece of music that tries to make the confrontation more exciting whereas here you get something that’s altogether more sombre and fits perfectly as rather than focus on the excitement of the battle it’s used to highlight the tragedy of what is actually a battle between a brother and sister and how their relationship has had to come to this point, it’s incredibly sad even without considering that they’re both teenagers and how Zuko has finally found a sense of peace where Azula is being consumed by her internal conflict.

Because She’s Rayla – The Dragon Prince: This comes at a point where main character Callum is describing how he says Rayla to someone who’s just essentially tried to steal their dragon companion from them and who Raykla has just saved from near certain death. It winds up being the culmination of them slowly realising they’ve developed feelings for each other after a fair few awkward moments, and there’s one here too just for good measure. It’s a genuinely heartfelt moment on Callum’s part and you get a sense of relief from Rayla who realises he feels the same way as her so it’s natural for it to be an emotional piece of music that backs the scene, and it’s very much that.

The Fields of Ard Skellig – Witcher 3: Something of an anomaly on this list in that it’s the only one that’s not linked to a specific scene of sequence, instead it’s background music which accompanies you when you make it to the island of Ard Skellig and Geralt continues his search for Ciri. It’s a piece of music there’s a definite sense of wonder in the music but it’s also melancholic which I think fits the the potential mindset of Geralt as a surrogate father searching for his daughter, and at this point in the game you’ve spent a lot of time looking for her.

Journey – Destiny 2: This plays right near the start of the game as you make your escape from what is essentially the last safe stronghold on Earth, which you’ve just witnessed essentially get invaded and the Traveller, which is the source of your powers, be captured which leaves you pretty much powerless. It’s a sad piece which definitely brings home the sense of loss you’re experiencing at this point not knowing who else has made it out alive as you try and get as far away as possible while trying to survive against any enemies you encounter with limited means of defending yourself. As you encounter something leading you to an end point the music sweeps as drums and vocals join and it becomes a much more hopeful and resolute theme, it’s actually one of favourite gaming sequences and the music is a huge part of this.

Lifestream – Final Fantasy 7: This game was one of my first experiences of music in a game that was on par with a film soundtrack. This is my favourite piece on a truly excellent soundtrack as it’s comes at a point where you and the rest of Avalanche arrive at Cosmo Canyon and have some truths about the nature of the world and how the cycle of life and death connects to the lifestream, essentially the living essence of the planet itself. There’s a sense of sadness to the piece as you essentially have it confirmed that Shinra, who are using mako which is basically taken from the lifestream, actually are harming the planet which up to this point is almost played off as being the mad ravings of a terrorist group.

Epilogue – Red vs Blue: It would take far too long to give full context here here but this track plays over the end of season 8 where main character Church (who is an AI it’s been revealed) goes into a memory storage device to look for someone. He decides that he’ll wait for her to find him and set up a simulation of his friends and where they’d been prior to all this so she’d know where to find him. The monologue is surprisingly touching and this piece just underscores the bittersweet nature of the ending, it rounded off the story arc that seasons 6 to 8 set out to tell pretty much perfectly.

Apotheosis – Journey: The music that accompanies the final level of Journey and the meaning of the word apotheosis he highest point in the development of something; a culmination or climax so it’s appropriate both as the lead up to the end and also because you’re about to complete your journey to the top of the mountain so it fits. The music in this game is amazing and the key to how emotional it is and this track is the best of the lot as in the penultimate level you collapse in the snow. You receive a sudden burst of life which propels you on the final stage and it’s amazingly uplifting and hopeful which is never unwelcome.

Death of Optimus Prime – Transformers the Movie: This scene was absolutely devastating to young me, and also pretty much unthinkable on reflection as it has them kill off Prime who had been the leader of the Autobots in the cartoon up to this point so was a character you’d just automatically assume would be safe but actually he’s the probably the biggest character killed in what is an absolute bloodbath. He gets to go out like the hero he was by turning the tide of the battle which was something to still, Jesus. The music to the scene is just haunting, and still to this day sends shivers down my spine as he’s surrounded by the survivors passes the torch to them but his passes just makes things feel pretty bleak at that point.

There’s a million and one music tracks that I could talk about here to be honest, and that’s not even factoring in tracks with lyrics so maybe I’ll do some more of these down the road.

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